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The performance unfolds as a pilgrimage toward Aztlán, approached not as a fixed place, but as a point of origin carried through movement.
Crossing the border between Mexico and the United States, the work engages the territory as a continuous landscape rather than a divided one. Throughout the journey, soil is collected from different locations across the Mexican desert and carried as a living archive.
During the performance, these fragments of land are deposited into a Raku vessel, bringing together distant sites into a single body. The act becomes a gesture of return, where territory, memory, and origin are reassembled through ritual.